Numbers 24

Basically a 3 octave piece with a few optional bass notes, this piece is majestic and useful in church or concerts. The organ part is integral to the piece. The bell part begins with stately half note

A good piece for the beginning and less experienced choir, this original work is in ABA form with a repeated pattern throughout the A sections. The middle section contrasts with gentle rhythm and a key

Written for a youth choir, this arrangement is simple using mallets at the beginning and ending.

Characterized by a quiet beginning and a joyful ending, this music is chordal by nature and ideal for church or concert. A flowing bass clef eighth-note passage begins the piece, which undergoes several key

This title is a chordal composition for 3 octaves with four optional bass notes: G3, F3, G and Bb3. The layout is spread out making it easy for everyone to read. Although in cut time, the half note = 60 and

A familiar hymn tune (NETTLETON) and simple rhythms makes this 4-in-hand selection easy to learn. Use with choir or ensemble.

The simple rhythmic structure combined with various ringing techniques (SK, Mart, Pl and mallets) guarantee an easy ringing success for ringers and listeners. Set in C Major, there are only a couple of bell

This is an instructional guide for four-in-hand and six-in-hand ringing. Sixteen selections written for a four-in-hand ensemble are included. The music can also be played by conventional two-octave handbell

This exciting arrangement of the tune HYFRYDOL is easily learned and exciting to perform - great for worship service and concert use.

This selection for advanced choir includes lots of technique changes, tempo variations, and dynamic gradations. All ringers are kept busy throughout the entirety of the piece. Because of all the changes in

Based on the melody associated with the text Come, Thou Fount of Every Blessing, this setting is scored with very full chords and uses altered harmonies.

A piece with a quiet beginning and ending, there is syncopated rhythm in the middle section which adds some challenge.

This rhythmic and harmonically interesting arrangement has three stanzas. Below the melody in stanza one is a rhythmic ostinato. Stanza two is slower and harmonically rich. The last section uses 5/4, 3/4,

This interesting arrangement of the hymn tune LAUDES DOMINI begins and ends with toccata-like figures. The middle section is choral, and a modulation leads to the conclusion which is a repeat of the

Chordal in nature, this piece includes much use of contemporary, dissonant harmonies. Pay extremely close attention to accidentals and tempo changes.